Fold
Title: Fold
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two fragments of raw canvas are placed together, not aligned — one slightly overlapping the other. A dense black gesture stretches across them, disrupted by the seam. The fold between surfaces becomes part of the composition: not hidden, but shown. It suggests weight, resistance, the architecture of a soft form under pressure.
The background is a muted, clay-toned rose — grounding the piece, absorbing the intensity of the upper mark with quiet presence.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title: Fold
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two fragments of raw canvas are placed together, not aligned — one slightly overlapping the other. A dense black gesture stretches across them, disrupted by the seam. The fold between surfaces becomes part of the composition: not hidden, but shown. It suggests weight, resistance, the architecture of a soft form under pressure.
The background is a muted, clay-toned rose — grounding the piece, absorbing the intensity of the upper mark with quiet presence.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title: Fold
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two fragments of raw canvas are placed together, not aligned — one slightly overlapping the other. A dense black gesture stretches across them, disrupted by the seam. The fold between surfaces becomes part of the composition: not hidden, but shown. It suggests weight, resistance, the architecture of a soft form under pressure.
The background is a muted, clay-toned rose — grounding the piece, absorbing the intensity of the upper mark with quiet presence.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
