Interval
Title: Interval
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 60 × 80 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures placed at a distance — one faint and vertical, the other dark and compact. They do not touch. Yet they are held together by the space between them — a silent field of tension, orientation, and quiet resonance. The work is not about form, but about position. What matters is not the gesture itself, but its relation to another.
The surface is soft and neutral — almost erased, almost waiting. A still architecture drawn from attention and distance.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decisions — an exploration of presence through absence, and structure through trace.
Title: Interval
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 60 × 80 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures placed at a distance — one faint and vertical, the other dark and compact. They do not touch. Yet they are held together by the space between them — a silent field of tension, orientation, and quiet resonance. The work is not about form, but about position. What matters is not the gesture itself, but its relation to another.
The surface is soft and neutral — almost erased, almost waiting. A still architecture drawn from attention and distance.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decisions — an exploration of presence through absence, and structure through trace.
Title: Interval
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragments)
Dimensions: 60 × 80 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures placed at a distance — one faint and vertical, the other dark and compact. They do not touch. Yet they are held together by the space between them — a silent field of tension, orientation, and quiet resonance. The work is not about form, but about position. What matters is not the gesture itself, but its relation to another.
The surface is soft and neutral — almost erased, almost waiting. A still architecture drawn from attention and distance.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decisions — an exploration of presence through absence, and structure through trace.
