Title: Remnants
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
A fragmented structure drifts across the canvas — black marks interrupted by absence, edges misaligned, gestures eroded. The painted surface feels like a worn document or faded imprint, where what’s visible is only part of what once was. Each shape remains, but only partially.
The fragment is mounted on a deep, reddish-brown background — stable and weighty, like earth. The tension between the incomplete and the grounded creates a quiet pull.
This piece stands on its own, but can also be paired with Horizon as a diptych — two works exploring weight, structure, and what remains unspoken.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title: Remnants
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
A fragmented structure drifts across the canvas — black marks interrupted by absence, edges misaligned, gestures eroded. The painted surface feels like a worn document or faded imprint, where what’s visible is only part of what once was. Each shape remains, but only partially.
The fragment is mounted on a deep, reddish-brown background — stable and weighty, like earth. The tension between the incomplete and the grounded creates a quiet pull.
This piece stands on its own, but can also be paired with Horizon as a diptych — two works exploring weight, structure, and what remains unspoken.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
