Title: The Birds
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two strokes rise and scatter — like wings in motion, or a signal splitting in air. The forms resist symmetry: one grounded, dense and opaque; the other ascending, dispersed and soft, like breath or flight. They do not imitate birds, but suggest their presence — the moment just before lift-off.
The gesture is painted on a separate piece of raw canvas — subtly shifted, slightly imperfect. This fragment is mounted onto a deep blue background, creating a quiet tension between surface and structure, gesture and support. The blue reads like a grounded sky, holding the trace.
This piece can be paired with Echo Flight as a diptych — two works that reflect movement and its afterimage, sound and its fading shape.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title: The Birds
Series: Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two strokes rise and scatter — like wings in motion, or a signal splitting in air. The forms resist symmetry: one grounded, dense and opaque; the other ascending, dispersed and soft, like breath or flight. They do not imitate birds, but suggest their presence — the moment just before lift-off.
The gesture is painted on a separate piece of raw canvas — subtly shifted, slightly imperfect. This fragment is mounted onto a deep blue background, creating a quiet tension between surface and structure, gesture and support. The blue reads like a grounded sky, holding the trace.
This piece can be paired with Echo Flight as a diptych — two works that reflect movement and its afterimage, sound and its fading shape.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
