The Note
Title:The Note
Series:Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures suspended on raw canvas — like a single note held in silence. One mark is soft, ascending into haze; the other sharp, brief, cutting across the space like a breath between phrases. Together, they suggest rhythm without sound, movement without motion.
The background fades from dark to light grey, echoing tonal depth. The surface feels still, yet listening — like a pause that gives the note its meaning.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title:The Note
Series:Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures suspended on raw canvas — like a single note held in silence. One mark is soft, ascending into haze; the other sharp, brief, cutting across the space like a breath between phrases. Together, they suggest rhythm without sound, movement without motion.
The background fades from dark to light grey, echoing tonal depth. The surface feels still, yet listening — like a pause that gives the note its meaning.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
Title:The Note
Series:Left at the Edge
Medium: Mixed media on canvas (dry pigment, acrylic, raw canvas fragment)
Dimensions: 30 × 40 × 3 cm
Framing: Mounted on deep wooden box panel, ready to hang
Description:
Two gestures suspended on raw canvas — like a single note held in silence. One mark is soft, ascending into haze; the other sharp, brief, cutting across the space like a breath between phrases. Together, they suggest rhythm without sound, movement without motion.
The background fades from dark to light grey, echoing tonal depth. The surface feels still, yet listening — like a pause that gives the note its meaning.
Part of the Left at the Edge series — a collection of abstract works built from raw canvas, dry pigments, and marble dust. Each composition is constructed through layering, subtraction, and tactile decision — an exploration of presence through absence, structure through trace.
